Monster Music Journal by Eddie Lewis and Pearl R. LewisMONSTER-INFESTED SPACES

The MONSTER MUSIC JOURNAL is a wildly imaginative, monster-infested space. And that space was created for YOU so you can fill it with music compositions, transcriptions of your favorite songs, music theory exercises, and other monstrous things. There are monsters everywhere – literally! Just when you were convinced that monsters lived only in closets, the game changed. The monsters relocated – to the MONSTER MUSIC JOURNAL.


The MONSTER MUSIC JOURNAL is a musical playground for your pencil. The generously spaced staff lines make writing musical notes easy for beginners. But you don’t have to be a beginner to appreciate the spaciousness. If you like to live life BIG, then this book will fit right into your way of doing things. Let’s be honest: who doesn’t like to live life big? And if you are one of those people who has a lot to say, you are in luck. There is plenty of boxed-off writing space for non-musical notes, so you can include song lyrics, love letters, homework assignments, thoughts, poems, or questions to ask your teacher. Hey, there is even space for you to doodle your own family of monsters.




The MONSTER MUSIC JOURNAL is heavily illustrated with line art monster characters that will tickle the imagination of kids and adults. Every turn of the page presents you with new monsters. Naturally, they are all trying to look grim, but rest assured – they are all very docile. And because the illustrations in the book are simple line art, you are free to add color to the manuscript or note pages. This is a music journal and not a coloring book, but there is no shortage of things (well, creatures actually) that you can color, if you so wish.


A product of the creative husband-and-wife team, Eddie Lewis and Pearl Lewis, this music journal has many uses. You are pretty much only restricted by your imagination. Let this journal turn dull, repetitive music theory exercises into an adventure at every turn of the page. Embrace the illustrations as prompts for improvised music. Gift the journal to your teacher or your student. Even your completely grown-up musician buddy could use a fun gift like this one. Or, take the ceiling off your expectation and use the journal to introduce young musicians to composition and transcription. (If you can read music, you can take a step towards writing it.) Tedious music homework and dull assignments just got a MAJOR upgrade with the MONSTER MUSIC JOURNAL.


The MONSTER MUSIC JOURNAL is currently available in three formats to suit your individual needs:

  • Perfect-bound

    ( – this is the traditional form of binding that you will find in most paperback books. This binding holds up well to being carried around in a book bag, and will sit nicely on a book shelf with your other books. Perfect-bound books need to be trained to lie fully open on a desk – some people don’t like to put that much strain on a book’s spine. If you want a book that will lie fully open on a flat surface, without introducing any creasing in the spine, consider the coil- or staple-bound versions of the book.

  • Coil- or Ring-bound

    ( – this version of binding is popular with musicians as it allows the book to lie flat on the music stand without needing to be pinned in place. If you plan to lug your book in a full bag, you might want to consider the perfect- or staple-bound versions of the book. Coil-binding (it’s a plastic coil) is a little more fragile than the other forms of binding, and works best for people who store the book on a desk or shelf instead of in an over-filled, school book bag.

  • Staple-bound

    ( – staple-bound books give the user the maximum access to the interior margins, so if you want a little extra white space on the pages, this one is for you. The book opens fully, and will lie flat with very little training and no damage to a spine.


The video in this post includes background music by Eddie Lewis (one of the MONSTER MUSIC JOURNAL’s creators). You can purchase the sheet music for this piece here: “Tackle Suite No. 3: SINKER” by Eddie Lewis (


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